Stephen Fry’s Incomplete and Utter History of Classical Music
Stephen Fry’s Incomplete and Utter History of Classical Music
Customer Review: Does what it says on the tin
The thing to understand about this book, apart from the fact that it isn’t really written by Fry himself, is that it is indeed incomplete, as it says in the title. I approached this with high hopes after reading his excellent book on poetry, and found myself somewhat disappointed. If I had read it first I suspect I may not have been so underwhelmed. As it is, there are very few books available which offer a readable, albeit necessarily potted history of classical music, and when approaching the subject as a rank amateur, desperately in need of a way into the genre one takes what one can get. It isn’t technical, it doesn’t have all the answers, it doesn’t cover everything and there are some terrible jokes in it, but it does offer a glimpse into and reasonable overview of the world of classical music without either being 12 billion pages long, or so technical you haven’t a hope in hell. This, in my opinion, is a good thing.
Customer Review: Oh deary me…
I was so excited when I bought this book. I love classical music, I love Stephen Fry’s wit and so I thought this happy union would have me wetting my pants with some Bach playing in the background.
As the title suggests, it is very very incomplete, but far from utter. I’m not a huge fan of Mozart, but I found it slightly unfair that he was given a total of around 6 pages of the book, whereas Fry’s favourite composer, Wagner (given a larger font throughout he book - somewhat annoying) gets a whopping 30 pages. Which is not very respective of the two composer’s works.
Fry’s wit is in there, alright. But reading his wit just isn’t the same as hearing it. I found it frustrating that I had to keep thinking how Fry would have said this or that line, to have even the faintest dribblings in my seat. Even then, Fry uses the same jokes over and over again. Tedium sets in after a while.
Perhaps the most annoying thing, though, is that this book is NOT a history of music. It is a very incomplete narrative of historical events interspersed with the odd musical reference. If I’m reading a book concerning the history of classical music, am I likely to care about the population of China in the 18th century? I think not.
In short, those who want to have a little chuckle would do better with either the Liar, Moab or the Tennis Star’s Balls. Those who want a little background to music would be better off buying the Groves Encyclopoedia. It may cost a lot more than the Incomplete and Utter History, but you get what you pay for.
On the back cover, R Schumann gives “his” views on this book. “I threw it in the Rhine”. I know the feeling, and will be quite happy to throw it in the Danube.
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