This Is Rock n’ Roll


This Is Rock n’ Roll
The notion that old rockers never die, they just fade away because they can’t think of an ending, is given the lie on This Is Rock ‘n’ Roll, the long-awaited comeback by the Quireboys, rightful heirs to the Faces. Indeed, their songs are tightly structured, so the endings are often as impressive as the beginnings. Occasionally there’s a problem with the bits in between, which go on for longer than some might deem strictly necessary, although the time passes markedly faster if you get out of your seat and dance to it rather than trying to appreciate it on an intellectual level. Vocalist Spike still sounds exactly like Rod Stewart with strep throat, and it can be no accident that Rod’s old keyboard player/songwriter Kavin Savigor has been drafted in to this latest incarnation of the band. Titles such as “This Is Rock ‘n’ Roll” and “It’s Alright” pretty much indicate what the up-tempo tracks are like, while the power-ballads “Searching” and “To Be” strive fairly successfully to capture that over-wrought Guns ‘n’ Roses/Poison/Aerosmith imitation of passion. Buy it now, but strictly on the understanding that only after six beers will it become the greatest rock album in history. –Johnny Black

Customer Review: Okay, but just, okay
I’m an old Quireboys fan and rate “A bit of what you fancy” as one of my all time favourite albums so I really looked forward to hearing this CD. However, I found it a bit disappointing and lacking the real energy that the old QB’s used to have. Spikes still got the gravelly voice and some of the guitar riffs have an almost familiar sound but with the exception of “C’mon” I didn’t find anything memorable in this album. It isn’t a bad album by any means, it is listenable but it’s not as good as some of their old stuff.

Customer Review: Good to see you back!!!!
After years of listening and watching the QB’s in my youth it’s great they’ve returned with an album every bit as good as “A Bit of……”. The lack of production, Spike’s sandpaper voice and good old fashioned 80’s rock make a welcome return on an album with absolutely no clangers. Let’s hope we don’t have to wait as long next time. Welcome back!!

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BBC NEWS | Science/Nature | Ancient Indians made 'rock music'

Masters of Rock: the Very Best of the Michael Schenker Group


Masters of Rock: the Very Best of the Michael Schenker Group
Customer Review: Great early MSG
It is a common misconception that Michael Schenker went downhill after leaving UFO in 1979. This compilation taken from his first four MSG albums proves the utter falseness of this misconception. Schenker’s ability to combine melody, rhythm, good taste, blistering solos, finesse, construction, layers, and testosterone has never been matched in my view. Listening to Schenker makes you wonder what you were thinking about when you bought rock albums by other groups - he makes almost everybody else sound rubbish by comparison.

This compilation starts out with no less than 5 tracks from Schenker’s debut MSG (Michael Schenker Group) album, which shows just what a hard time the compilers had actually cutting out any tracks from that classic. The second MSG album (MSG) is almost as good as the first, whilst the 3rd (Assault Attack) is possibly even better than the debut album. Admittedly, the 4th MSG album, Built to Destroy, was a little weaker. Also, the track selection on this compilation misses out the best tracks from Assault Attack. Nevertheless, this compilation is a good place to start you off on the early MSG material.

I should note another misconception about Michael Schenker. Some think, ‘well, OK, his early UFO was good and, yes, his early MSG was good too - but after that he lost it’. Complete cobblers. MSG’s 5th album, Perfect Timing, has a good solid West Coast feel, whilst his 6th, Save Yourself, has utterly incredible guitar-work. Admittedly, the 7th (M.S.G.) is poorly mixed, but the 8th, Written in the Sand, is as good as any of the early stuff - possibly better. The 9th, Unforgiven, is darker, technical, and more of a grower, whilst the 10th, Be Aware of Scorpions is a brilliant album. The 11th, Arachnophobiac, has a great bluesy deep south sound, whilst his 12th, Tales of Rock n Roll is, in my view, probably the best MSG album ever. It is fantastic. It should also be noted that Schenker rejoined UFO in 1995 for three albums. The first of these is Walk on Water which, against the misconceptions, is possibly the best ever UFO recording. The second and third albums, Covenant and Sharks are not quite as good, but still very solid. Alongside this, Schenker has done three great covers albums - Endless Jam, Endless Jam Continues, and Heavy Hitters. The first of these is brilliant - unbelievable guitar work. And don’t forget Schenker’s 3 recent electric solo projects - Adventures of the Imagination, The Odd Trio, and Dreams and Expressions - and his 4 recent accoustic solo projects - Thank You Vols 1-4. By the time you get through this lot, you’ll be wondering why you ever listened to anybody else. Schenker has improved with time, and not the other way around. Well, there it is, you can lead a horse to water but…..

Customer Review: You are missing out
Don`t buy this as you are missing out on some magnificent material. This compilation is culled from the first 3 MSG albums and if you like it then you`ll prefer the immaculate must own first 2 albums (Michael Schenker Group and the imaginatively titled MSG) whilst the 3RD album Assault attack is now paired up with the live album as a double pack. Some people need a distillation to weed out the weak material but at this phase of his career every track of those seminal first two albums are classics!

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The Golden Age Of American Rock’n'Roll: Special Doo Wop Edition


The Golden Age Of American Rock’n'Roll: Special Doo Wop Edition

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Capital Gold Rock ‘n’ Roll Legends


Capital Gold Rock ‘n’ Roll Legends
Customer Review: the rock 'n' roll compilation
I like that 1959 single by Adam Faith 'What Do You Want'.
I like this compilation Capital Gold Rock 'N' Roll Legends CD'.

Customer Review: Excellent compilation of rock’n'roll classics
Pop music as we have come to know it really began with rock and roll. This compilation includes many of the classic songs from the birth of rock and roll up to the early sixties including many of the great American artists and a few of the best British artists.

Among the famous tracks here are Rock around the clock (Bill Haley), Blue suede shoes (Carl Perkins), Heartbreak hotel, Hound dog (both Elvis Presley), Great balls of fire (Jerry Lee Lewis), Long tall Sally, The girl can’t help it (both Little Richard), Bird dog (Everly brothers), Dream lover (Bobby Darin), Only the lonely (Roy Orbison), Save the last dance for me (Drifters), Hello Mary Lou (Ricky Nelson), Rubber ball (Bobby Vee), The locomotion (Little Eva), Let’s Dance (Chris Montez), Will you love me tomorrow (Shirelles), The wanderer (Dion), Runaway (Del Shannon), Tears on my pillow (Little Anthony), Poetry in motion (Johnny Tillotson) and I only have eyes for you (Flamingos) – and there are plenty of others, too.

The British are represented by Cliff Richard (Move it, Do you wanna dance), Adam faith (What do you want), Johnny Kidd and the pirates (Shaking all over), the Shadows (F B I), Billy Fury (Halfway to paradise), Helen Shapiro (Don’t treat me like a child) and Marty Wilde (Sea of love).

If you are looking for a collection of rock’n'roll music, this is as good as you are likely to find. There are some artists notable by their absence including Chuck Berry and Brenda Lee but with over sixty great tracks, who’s complaining? Not me.

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Hot Rocks Vol.1 1964-1971


Hot Rocks Vol.1 1964-1971
It’s the rare greatest-hits album that takes on a life of its own. Generally, best-of collections are superceded by updated retrospectives. Hot Rocks is one of the rare exceptions to the rule. Originally released in 1972, it instantly became the Stones intro of choice, elbowing aside Big Hits, High Tide and Green Grass and Through the Past Darkly. Why? It happened to hit the racks when Mick and company were at their creative peak. The 21 tracks found here represent seven years of dizzying growth. From “Time is on My Side” through “Satisfaction” and “Let’s Spend the Night Together,” on to Sticky Fingers’s “Brown Sugar” and “Wild Horses,” Hot Rocks never lets up. The likes of Sucking in the ’70s and Jump Back come and go, but this Stones overview will not be moved. –Steven Stolder

Customer Review: Just look at the list of 21 classic songs you get here
While I am writing a review of this two-CD collection of classic early Stones tracks, Hot Rocks 1964-1971 basically sells itself. You get all of the best songs from one of rock’s most successful, long-established groups. These songs are probably older than Keith Richards’ wife, but they still stand head and shoulders above most of the music released in the last three decades. On most retrospective collections, people look down the track list and ask why is that song on here or say they don’t even remember this or that track. Not so with the Stones’ Hot Rocks - each of the 21 song titles is immediately recognizable.

It’s great to hear some of the really classic songs any time you want. I’m actually rather sick of Satisfaction because that sometimes seems to be the only Stones track the deejays think they can play. It’s a great song, but it’s far from the Stones’ best. I’ll take Paint It Black any day of the week - this song has a uniquely haunting quality that reaches out and grabs you, and many may remember how it was used to perfection in the film Full Metal Jacket. CD number one has a great mix of fast and slow songs: Jagger gets mellow on the likes of Time Is On My Side, Play With Fire, and As Tears Go By, but the truly memorable songs are rocking tracks such as Get Off of My Cloud, Mother’s Little Helper, and 19th Nervous Breakdown. CD number two finds the guys a little farther along in their careers, and it’s not hard to hear the maturity of the sound as the Stones’ begin experimenting with different styles and adding an unquantifiable sense of polish to their work. Jumping Jack Flash, Sympathy For the Devil, Honky Tonk Women, Brown Sugar - we all know and love these. I’m actually fonder of the tracks that get a little less attention, though: Street Fighting Man, Gimme Shelter, You Can’t Always Get What You Want, and Wild Horses. I only have one little complaint: Midnight Rambler (the only live song included here) just seems to have pretty poor sound quality.

If you’ve read this far, you’ll realize that all I’m really doing is telling you what songs are on Hot Rocks 1964-1971 - that’s really all you need to know. If the titles alone don’t convince you to buy this collection, nothing I say here will show you the error of your ways, either.

Customer Review: Uncompromising rock n roll genius
The Rolling Stones spent much of the sixties in the shadow of the Beatles and, with regards to their respective albums, perhaps deservedly so. However, as this 2-disc retrospective proves, they were every bit as important as their clean-cut contemporaries.

To its credit, this edition of Hot Rocks is in chronological order and weighted very much in favour of their late sixties output, which was undoubtedly their best work. Of the early sixties singles, the inclusion of the likes of Time Is On My Side and Heart Of Stone seems a little strange, at the expense of more historically important cuts such as Not Fade Away or It’s All Over Now. However, these tracks do set the mood well for what is to come, and from Satisfaction onwards there is no looking back.

From here on in, we are taken on a breathtaking ride through the sixties according to the World’s Greatest Rock N Roll Band. Paint It Black, Let’s Spend The Night Together, Jumping Jack Flash, Honky Tonk Women. Every track is an undisputed classic. The second disc especially, builds momentum through the hypnotic Sympathy For The Devil, the atmospheric Gimme Shelter and the huge, orchestral You Can’t Always Get What You Want. All of this culminates in the final double encore of their best rocker, Brown Sugar, and their lovely country ballad, Wild Horses.

Quite simply put, this CD is brilliant, and I cannot praise it highly enough. It is easily the finest collection of popular rock songs ever gathered together onto one volume, and that includes the Beatles equivalent Red and Blue albums. The real question you are now facing, is whether you should buy it now or five minutes ago. So go on, what are you waiting for?

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Rock ‘n’ Roll Singer


Rock ‘n’ Roll Singer
It’s been four years since Red House Painters’ Songs For A Blue Guitar was released, with its near-legendary guitar solo on “More Like Paper” (allegedly the reason behind the Painters’ parting of ways with their label, 4AD). Since then, legal difficulties have prevented the release of its follow-up, Old Ramon. Fans, therefore, must content themselves with this haunting, acoustic solo record from singer Kozelek in the interim. It’s as solemn, slow-paced and simmering as one would expect from the man who invented “slowcore”, but nowhere near as meandering as his main group could sometimes be. Songs like “Around And Around” and the poignant elegy “Rose Marie” have a Denver-esque quality to them, while Kozelek’s cover of AC/DC’s youth anthem “Rock’N'Roll Singer” is almost unrecognisable. It’s amazing what a little minimalism will do. –Everett True

Customer Review: Kozelek’s Understated Gem (4.5 stars)
Along with “What’s Next To The Moon,” this album represents Kozelek’s work as solo artist, after the demise of the wonderful Red House Painters period.
For those people particularly in love with RHP’s sound, this may be require a bit of an adjustment. This is a quiet outing, intimate and almost withdrawn. This, by itself, should not be a big surprise since RHP, even when they rocked, maintained a thoughful and melancholy tone.
Once you accept that there’s plenty to welcome, as much in his own compositions as in the chosen covers. To start with the latter, I must say that Denver’s tune, “Around And Around” is probably the best non-Kozelek song in this album. The AC-DC versions are good but better covers can be found in his other aforementioned solo album.
Now, when it comes to the self-penned material, “Find Me, Ruben Olivares” is as good as your favorite RHP stuff, and “Ruth Marie” may be one of the most gorgeous folk songs written by anyone in a long, long time.
Whereas most solo spin-offs after great bands disband, often, tend to lose the luster of the previous material, Kozelek manages to maintain the quality you may already be accustomed to, and will satisfy anyone without the obligation of being a faithful completist.

Customer Review: One of 2K’s best albums!
I have listened to Red House Painters ALOT and I still find new magical stuff in their records. This new soloalbum from Kozelek hasn’t quite the same slow and moaning feel over it. It is a bit more faster and happier. Not to say that it is a happy record. When all is said and done: this is definitely one of the best records I’ve EVER bought. It’s a shame it’s only about 28 minutes, but every single second is pure Kozelek-magic…

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The Cure - Rock Case Studies [2007]


The Cure - Rock Case Studies [2007]

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Soft Rock Ballads


Soft Rock Ballads

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Destroy Rock & Roll


Destroy Rock & Roll
Customer Review: Brilliant.
one of my favourite albums. some great tunes, easy listening and some to really get you going. a great buy.

Customer Review: Still alive and kicking…
As a dedicated rock fan I normally have the same desire to seek out new and cutting edge dance and electronica as I do to contract syphilis.

Nevertheless, having heard Mylo's offering on the second Warchild album, I thought I'd give this a go. And I enjoy it. I find it fresh, intelligent and listenable. Especially the title track, though he chose a bad year to assault rock music, which is stronger in 2005 than ever before.

In conclusion, well worth a listen, no matter what you thought your tastes where.

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Rock ‘n’ Roll Juvenile: Remastered


Rock ‘n’ Roll Juvenile: Remastered
Customer Review: ROCK ‘N’ ROLL JUVENILE - RE-ISSUE OF SIR CLIFF’s FAVOURITE
Cliff Richard has gone on record as naming this 1979 album as a personal favourite. Co-produced by Terry Britten (who wrote ‘Devil Woman’)and Cliff, the tracks on this album remain as ageless as the man himself. It opens with a blistering rock opus,”Monday Thru’ Friday” in which Cliff tell’s us that the only day that matters is Saturday (”it’s rock ‘n’ roll time”!).The 2nd track, “Doing Fine” is slower but has a great guitar rift. Track 3 is a “standout track”; it tells the story of 2 survivors in a post-apocalyptical world defined by the title “Cities May Fall” - it’s a funky sound with atmosphere. Track 4, “You Know That I Love You”, is a song that seems to have it’s roots in the deep south,USA. All 4 tracks were authored by Britten. “My Luck Won’t Change”, co-written by Britten and B.A.Robertson, is another “standout” track (and one of Cliff’s personal favourites) which tells a story, has a great rhythmical beat with a hint of ‘punk’ thrown in for good measure! Cliff penned the title track 6, “Rock ‘N’ Roll Juvenile” and it’s another blistering rock song in which Cliff declares his love of both R&R and Jesus and reminds us of his musical roots. “Sci-Fi”, track 7, is in a class of it’s own and we discover Cliff has another love; brilliant with outstanding special effects. Track 8, “Fallin In Love” is a good attempt to recreate a late 50’s love song. What can I tell you about “Carrie”, track 9? Another song in a class of it’s own which was lifted from the album to become a very successful single. Tracks 10/11, “Hot Shot” and “Language Of Love” are both great rock numbers co-written by Britten/Robertson (who also penned the previous 3 tracks). Listen carefully to the end of track 11 for that hint of “punk”! “We Don’t Talk Anymore”, the final track, was not originally intended for inclusion on this album. Penned by Alan Tarney, it was released as a single in the summer of ‘79. It climbed to the top of the charts and became Cliff’s most successful single. No surprise, then, that the record company, EMI UK, wanted the track added to the album in a blatant attempt to move as much vinyl as possible! Apparently, it took some effort to persuade Cliff to agree! ‘Rock ‘N’ Roll Juvenile’ peaked at number 3 and had a 22-week stay on the album charts to become one of Cliff’s best selling albums from the 70’s. It’s re-issue on CD (remastered and re-packaged)with an additional bonus track, “Walking In The Light” will be very welcome and could attract a new generation of Cliff fans.

Customer Review: Back-to-basics Cliff fires enthusiasm
Right from “Monday thru’ Friday” you know this is a back-to-basics Cliff. 10 of the 12 tracks are written by Terry Britten, who used to be in Cliff’s backing band in the early 70’s, 1 by Cliff and 1 by Alan Tarney (the magnificent “We don’t talk anymore”). This is Britten’s finest hour. “Cities may fall”, “Doing fine”, “My luck won’t change” and “Carrie” are superb. Cliff penned the title track, which drives along at break-neck speed and the entire album is, as Cliff says on the inner sleeve ‘energy packed’. Side One is the stronger. Had Side two been slightly stronger, this album would have been No.1 in album charts(actually No.3). The cover is brilliant, the songs great and the overall enthusiasm generated from between the grooves still shines through. THIS is the sort of album I wish Cliff would do EVERY TIME he goes into the studio. This is one of Cliff’s personal favourite albums.

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RUBIN'S ROCK N ROLL REFERENCE DISCOGRAPHY

Natural Ear Music School - Kid Bands, Rock and Roll Camps, & Lessons

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